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Inside the Dawn Song, 2008 |
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DSP, Granular and source recordings. Based
on "Chillida" (2003) |
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Ein Baum als Komponist, 2007 |
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MAX-MSP and sensors-based piece. A tree with sensors
trigger very short piano recordings. Wind-activity and
tree-movements are scaled in 2 parallel clusters, 6 sound-banks each. This
is a texture-density piece, not pitch, volume or rhythm piece:
increase of textural density means increase of wind activity. The
piece comprehends about 350 different sounds, some of them
electronic. Oori Shalev, software design. Astride Schlaefli: piano.
Carlos Sandoval: piano recordings 24:00"
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| Yoga gegen
Nikotin, 2007 |
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DSP, Home Studio,
Berlin. Complete: 10:00".
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Between the Garden and
the Kitchen in Istanbul, 2006 |
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Gloves with sensors and
source recordings. Home Studio. TU Studio. Berlin. (Download)
Complete: 9:20".
(P. 2006: TU Studio, EM Hören) |
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LizMix 2001 6:23“ |
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DSP,
Granular. To Elizabeth G. (P. 2001: Culiacán, Mexico) |
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Chillida 2003 5:00"
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DSP, Granular. Music for an intallation.
to Danilo Veras. (P: 2005
Xalapa, México) |
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Homenaje 1991
2002
04 Homenaje, electrónIca UPIC
De vez en vez
SACM, CAMC, Quindecim,
Mexico
Buy it in mx |
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9:00” , UPIC System, (P: 1992: Ateliers UPIC México, Mexico D.F.)
"Whistle-whispering sounds making a kind of structural hocketus. This would easily fit in with Metamkine’s Cinema Pour
l’Oreille series; it is visual in effect. It’s too controlled to be called whimsical, but there’s a definite frolicking humor here. It ends with a few low mallet plinks, and low bass wind whipped raps and gurgles"
Steve Koenig |
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Lomos, 1989
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UPIC System, (P:
1989: Ateliers UPIC, Paris, France) |
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